The following was written in 2017 by myself for assessment:
At the core of the human experience is the need for physical and social interaction. Society informs how one experiences the world, and therefore, human development is dependent on this phenomenon, regardless of age. Snobbery is the paragon of taste in its most elite manifestations. This paper’s objective is to uncover the performative nature of taste, examining the role of society in constructing an individual’s social development. Human behaviour is inherently a combination of ‘inherited [nature], and acquired [nurture] characteristics’ (McLeod 2007); the human experience of taste is concerned with ‘the relative contribution that both [nature and nurture] make to” one’s interaction with social constructs.
Such constructs can be seen in the etiquette surrounding dining, specifically the use of cutlery. Navigating the design history that cutlery design has undertaken, especially between 17th and 18th centuries, brings to light this very phenomenon, whereby the dining experience is concerned with how one eats rather than what they ate (Bisset 2013). An examination of the function of forks as a psychological and social performance evidences how the concept of etiquette “appears to [be] as highly personal, something ‘inward’, implanted [ … ] by nature”. The notion of appearance here is important to note as the individual is made to believe such an tendency is inherited. Exploring this phenomenon reveals how an exposure to external influences affects one’s perception of their own nature. This tension between the human tendency towards social adjustment is mimicked in the form and function of the utensil itself.
Broadly, adults in the 17th and 18th centuries were amid adjusting to the use of forks. Essentially resisting the automaticity of the notions of etiquette, in order to fit a growing societal mould. This is then mimicked in the raising of children past such time periods, in that children were institutionally taught to partake in the ritual of using cutlery. What was forgotten is, that very conduct was contrary to the fundamental inhibitions of the child; rather the child, as the 18th century adult did, learned and adjusted to the mould set for them by a larger societal framework. Over time, each party forgot what they felt was natural and succumbed to the performative nature of dining etiquette. This ultimately suggests that “people, forced to live with one another in new ways, became more sensitive to the impulses of others, and therefore learned to subject their own conduct to more subtle and elaborate controls” (Goudsbloum & Mennell 1998). It could be said that both parties are a product of maturation, whereby this learnt characteristic (nurture) emerges as a seemingly inherent (nature) characteristic later in life.
Goudsbloum and Mennell summarise this phenomenon here:
“Since the pressure or coercion of individual adults is allied to the pressure and example of the whole surrounding world, most children, as they grow up, forget or repress relatively early the fact that their feelings of shame and embarrassment, of pleasure and displeasure, are moulded into conformity with a certain standard by external pressure and compulsion”.

Figure 1. Kings pattern handle with curved blade circa 1899, Goldsmiths’ and Silversmiths’ Company Ltd
The appeal of the elite is grounded in the social distance that the aspiring middle class have from the luxuries that are otherwise unavailable to them. Construal level theory prescribes a pattern of thinking whereby the individual adefaults to concrete or abstract thoughts, depending on this social distance. The fish knife (see figure 1) manufactured in early 19th century Britain “was an object of fussy design, solving a problem that was not truly present” and became a manifestation of this theory for the rising middle class who aspired to a “gentrified way of dining” (Bisset 2013). The knife pictured is made of sterling silver, as it was believed that steel, which was previously used, reacted with acids in the fish, and would alter the flavours. The handle is stamped with the King’s Pattern, which, even in contemporary society, carries a notion of luxury reserved for the bourgeoisie. These formal qualities are an artifice, used by the middle class to suggest that “they could afford to dine in the finest fashion” (Bisset 2013).
As such, notions of etiquette contextually inherent to the knife are adopted to manually close the social distance the middle class has with the perceived exclusivity of dining cutlery; they essentially forced a low-level construal where salience was imposed on the item itself. This phenomenon mimics the notion of maturation, in that the form of the fork is performative; it carries the illusion of luxury. The industrial revolution, and the technical advances in mass-manufacturing, made the upper-class dining experience more accessible and tangible, without translating social class distinctions. Mennell exemplifies this in their examination of a changing “political economy”, in which society “reflect[s] a transition ‘from a culture-debating to a culture-consuming public’” (Habermas quoted in Mennell 2003).
In conclusion, it is through an analysis of the formal and semiotic qualities of the dining utensils that a distinction between snobbery and its effect on taste is proffered. This analysis has at its core a demonstrated conflict that exists between the inherited and acquired characteristics of the human condition. The navigation of age and notions of maturity in the performance of etiquette illuminates how human behaviour is informed by societal constructs. Once embedded in one’s autonomy it appears to be unconscious, though there exists an intentional shift in behaviour at its genesis; thus revealing the performative nature of snobbery, especially its manifestation in ‘politeness’.
The formal qualities that exist, as evidenced in the kings pattern fish knife, further the performativity of dining etiquette in its ability to allow middle class to transcend their societal limitations. Although this translation of class distinction is specious. The manufacturing advances that the Industrial Revolution realised enabled the middle class to appear as active members of the bourgeoise dining experience. As well as showcasing a shift in social paradigms whereby the refinement of dining etiquette was simplified.
References
Mennell, S. 2003, ‘Eating in the Public Sphere in the Nineteeth and Twentieth Centuries’, in M. Jacobs and P. Scholliers (eds), Eating out in Europe: Picnics, gourmet dining, and scnaks since the late eighteeth century, BERG, New York, pp.245-260.
Goudsbloum, J. and Mennell, S. 1998, ‘The rise of the fork’ in J. Goudsbloum and S. Mennell (eds), The Norbert Elias reader : a biographical selection, Blackwell, Oxford, U.K.; Malden, Mass., pp.51-54.
Bisset, C. 2013, ‘Is the fish knife our most pretentious utensil?’, ABC: By Design, 23 September, viewed 10 June 2017 < http://www.abc.net.au/radionational/programs/bydesign/4954624/>
Goldsmiths’ and Silversmiths’ Company Ltd. 1899, Fish Knife, V&A, viewed 9 June 2017, http://collections.vam.ac.uk/item/O48546/fish-knife-goldsmiths-and-silversmiths/
McLeod S, 2007, Nature vs Nurture in Psychology¸ SimplyPsychology viewed 8 June 2017, <https://www.simplypsychology.org/naturevsnurture.html/>